NICCOLO VANNI 18TH CENTURY ETCHING
A stunning copper etching with beautiful, austere modern lines engraved by Fernando Campana after Niccolo Vanni from the Raccolta di Pitture d'Ercolano.
The term Palmo Romano refers to an antique local unit of measurement using the palm of the hand by which the viewer could imagine the scale of the original bust. A Roman palm was a different scale from a Palmo Napolitano (Naples), naturally.
Printed on laid paper and framed with a hand-marbled, bevel painted mat. This sheet was from a collection of 8 volumes printed between 1752 - 1762 by Nella Regia Stamperia in Naples. The collection chronicles the frescos and artifacts excavated in Herculaneum at the behest of King Carlos VII of Naples in 1738 following the discovery of the city in 1710.
Dimensions: plate - H14 x W9⅞ inches; frame - H20¼ x W15⅞ inches.
Contact us at contact@artartefact.com for additional images, trade accounts, or tear sheet.
Shown in The Grand Tour installation featuring the edible sculptures of Andrea Ferrero’s Architectural Digestion. Learn More about the project here.
A stunning copper etching with beautiful, austere modern lines engraved by Fernando Campana after Niccolo Vanni from the Raccolta di Pitture d'Ercolano.
The term Palmo Romano refers to an antique local unit of measurement using the palm of the hand by which the viewer could imagine the scale of the original bust. A Roman palm was a different scale from a Palmo Napolitano (Naples), naturally.
Printed on laid paper and framed with a hand-marbled, bevel painted mat. This sheet was from a collection of 8 volumes printed between 1752 - 1762 by Nella Regia Stamperia in Naples. The collection chronicles the frescos and artifacts excavated in Herculaneum at the behest of King Carlos VII of Naples in 1738 following the discovery of the city in 1710.
Dimensions: plate - H14 x W9⅞ inches; frame - H20¼ x W15⅞ inches.
Contact us at contact@artartefact.com for additional images, trade accounts, or tear sheet.
Shown in The Grand Tour installation featuring the edible sculptures of Andrea Ferrero’s Architectural Digestion. Learn More about the project here.
A stunning copper etching with beautiful, austere modern lines engraved by Fernando Campana after Niccolo Vanni from the Raccolta di Pitture d'Ercolano.
The term Palmo Romano refers to an antique local unit of measurement using the palm of the hand by which the viewer could imagine the scale of the original bust. A Roman palm was a different scale from a Palmo Napolitano (Naples), naturally.
Printed on laid paper and framed with a hand-marbled, bevel painted mat. This sheet was from a collection of 8 volumes printed between 1752 - 1762 by Nella Regia Stamperia in Naples. The collection chronicles the frescos and artifacts excavated in Herculaneum at the behest of King Carlos VII of Naples in 1738 following the discovery of the city in 1710.
Dimensions: plate - H14 x W9⅞ inches; frame - H20¼ x W15⅞ inches.
Contact us at contact@artartefact.com for additional images, trade accounts, or tear sheet.
Shown in The Grand Tour installation featuring the edible sculptures of Andrea Ferrero’s Architectural Digestion. Learn More about the project here.
WHAT WAS THE GRAND TOUR?
An extended journey across the major cities of primarily France and Italy, the Grand Tour was a popular 18th-century ‘rite of passage’ taken mostly by young, aristocratic English men. Experiencing the art, architecture, and antiquity of the region was the culmination of a classical education that afforded status and independence. Travelers brought back mementos, art, and relics as a material legacy of their journey to adorn their estates and tell the tales of their trip.
Read a wonderful summary of the Grand Tour by The Royal Museums Greenwich.
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